Anna May Wong Anna May Wong
Anna May Wong, war eine amerikanische Schauspielerin. In den er und er Jahren, als Hollywood tief vom Rassismus geprägt war und die Selbstzensur der Filmindustrie die Karrieren vieler ostasiatischer. Anna May Wong (* 3. Januar als Wong Liu Tsong, chinesisch 黃柳霜 / 黄柳霜, Pinyin Huáng Liǔshuāng, Jyutping Wong4 Lau5soeng1; in Los Angeles,. Schauspielerin Anna May Wong in einer Szene aus dem Film „Shanghai Express“ (). Quelle: Getty Images/Donaldson Collection. Wir haben mit Michelle Krusiec über ihre Rolle in “Hollywood“ gesprochen und darüber, wie das Leben der echten Anna May Wong wirklich. s. Anna May Wong (January 3, – February 3, ) was an American actress. She is considered to be the first Chinese American movie star. Anna May Wong war als Schauspielerin erfolgreich in Hollywood. Als erster Star chinesischer Herkunft verkörperte sie die exotische Schönheit. Anna May Wong, Tochter chinesischer Einwanderer aus zweiter Generation, eroberte als erste asiatisch-stämmige Schauspielerin Hollywood.
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Anna May Wong: The first Asian American Movie Star - Unladylike2020 - American Masters - PBSAnna May Wong Inhaltsverzeichnis Video
#OscarsSoWhite: From Anna May Wong to Awkwafina The treatments proved successful, though Wong later claimed this had more to do with her dislike of the methods. Aufgrund ihrer chinesischen Herkunft war sie durch den Zeitgeschmack auf klischeehafte Küss Mich festgelegt, die zu spielen ihr stets widerstrebte. Da China seit den frühen er Jahren zunehmend unter The Colony Film politischen und militärischen Druck Japans geriet, gab sie ihrem Engagement für China bald auch eine politische Dimension, indem sie ihre Popularität einsetzte, um in den Vereinigten Staaten Geld für die China-Hilfe zu sammeln. Classes were taught in English, but Wong attended a Chinese language school afternoons and on Saturdays. MGM instead cast Luise Rainer to play the leading role in yellowfacedue to the Hays Code anti-miscegenation rules requiring the wife of a white actor, Paul Muni ironically playing a Chinese character in yellowfaceAnna May Wong be played by a white actress. Paramount publicity photo, c. Often dismissed by critics, the films gave Wong non-stereotypical roles that were publicized in the Chinese-American press Br Mediathek Dahoam their positive images. The New York Times. Leong, Karen J. Das aktuelle Google Doodle beschäftigt sich mit der Schauspielerin Anna May Wong. Doch was hat es mit der Amerikanerin mit chinesischen. Yellowfacing als Äquivalent zum Blackfacing. hakkodenshinryu.eu Anna May Wong (c) Carl Van Vechten [Public domain]. Auch wenn sie dem. Anna May Wong war in den 20er und 30er-Jahren in Hollywood eine beliebte Schauspielerin. Google widmet ihr heute ein eigenes Doodle. anna may wong oscar.Anna May Wong Menú de navegación Video
Anna May Wong Seduces Audience With Dance (500) Days Of Summer durch die Sympathien, die das chinesische Volk während des Zweiten Stille Film Krieges seitens der amerikanischen Öffentlichkeit erhielt, entstanden in Hollywood seit der zweiten Hälfte der er Jahre erstmals Filme, die Chinesen differenziert, menschlich und sympathisch zeigten. Videotelefonie Kontakt halten mit Wurm Comic Lieben. Bei vielen ist die Amerikanerin mit chinesischen Wurzeln in Sashay Away geraten - völlig zu Unrecht, wie es scheint. Twentieth Century Fox Auslöschung eines Jahrhundertstudios. Anna May Wong, die seit den späten er Jahren alkoholabhängig war, erkrankte infolge ihrer Sucht an Leberzirrhose. Wong als kleines Mädchen im Google-Doodle. Ein Interview, das sie in Berlin dem Philosophen Walter Benjamin gab, gehört zu den aufschlussreichsten Zeugnissen über die Persönlichkeit der Schauspielerin. Hallo, ich würde gern einmal wissen, wie ihr die Coronazeit bisher finanziell überstanden habt? Lorna Ishema Sie auch.Anna May Wong - Inhaltsverzeichnis
Vor genau 60 Jahren wurde ihr filmisches Schaffen — insgesamt wirkte sie in über 50 Filmen — mit einem Stern auf dem Hollywood Walk of Fame geehrt. Januar mit einem Google-Doodle. Filmhistorisches Gewicht gewannen Wongs Auftritte in deutschen Filmen vor dem Hintergrund, dass Chinesen — insbesondere chinesische Frauen — im öffentlichen und medialen Leben dieses Landes bis dahin kaum existiert hatten. Liu Tsong literally meaning "willow frost" on January 3, , on Flower Street in Los Angeles , one block north of Chinatown, in an integrated community of Chinese, Irish, German and Japanese residents.
Wong's parents were second-generation Chinese Americans; her maternal and paternal grandparents had resided in the U. In , the family moved to a neighborhood on Figueroa Street where they were the only Chinese people on their block , living alongside mostly Mexican and Eastern European families.
The two hills separating their new home from Chinatown helped Wong to assimilate into American culture. Classes were taught in English, but Wong attended a Chinese language school afternoons and on Saturdays.
About that same time, U. Movies were shot constantly in and around Wong's neighborhood. She began going to Nickelodeon movie theaters and quickly became obsessed with the " flickers ", missing school and using lunch money to attend the cinema.
Her father was not happy with her interest in films, feeling that it interfered with her studies, but Wong decided to pursue a film career regardless.
At the age of nine, she constantly begged filmmakers to give her roles, earning herself the nickname "C. Without her father's knowledge, a friend of his with movie connections helped her land an uncredited role as an extra carrying a lantern.
Wong worked steadily for the next two years as an extra in various movies, including Priscilla Dean and Colleen Moore pictures. While still a student, Wong came down with an illness identified as St.
Vitus's Dance which caused her to miss months of school. She was on the verge of emotional collapse when her father took her to a practitioner of traditional Chinese medicine.
The treatments proved successful, though Wong later claimed this had more to do with her dislike of the methods. Finding it difficult to keep up with both her schoolwork and her passion, Wong dropped out of Los Angeles High School in to pursue a full-time acting career.
In , Wong received her first screen credit for Bits of Life , the first anthology film , in which she played the wife of Lon Chaney 's character, Toy Ling, in a segment entitled "Hop".
At the age of 17, Wong played her first leading role , in the early Metro two-color Technicolor movie The Toll of the Sea. Written by Frances Marion , the story was based loosely on Madama Butterfly.
Variety magazine singled Wong out for praise, noting her "extraordinarily fine" acting. She has a difficult role, a role that is botched nine times out of ten, but hers is the tenth performance.
Completely unconscious of the camera, with a fine sense of proportion and remarkable pantomimic accuracy She should be seen again and often on the screen.
Despite such reviews, Hollywood proved reluctant to create starring roles for Wong; her ethnicity prevented U. David Schwartz, the chief curator of the Museum of the Moving Image , notes, "She built up a level of stardom in Hollywood, but Hollywood didn't know what to do with her.
At the age of 19, Wong was cast in a supporting role as a scheming Mongol slave in the Douglas Fairbanks picture The Thief of Bagdad.
Playing a stereotypical "Dragon Lady" role, her brief appearances on-screen caught the attention of audiences and critics alike.
Around this time, Wong had an affair with the director Tod Browning. It was a romance largely known of at the time: it was an interracial relationship and Wong was underage.
After this second prominent role, Wong moved out of the family home into her own apartment. Conscious that Americans viewed her as "foreign-born" even though she was born and raised in California, Wong began cultivating a flapper image.
It soon became evident that Wong's career would continue to be limited by American anti-miscegenation laws , which prevented her from sharing an on-screen kiss with any person of another race, even if the character was Asian, but being portrayed by a white actor.
Unless Asian leading men could be found, Wong could not be a leading lady. Wong continued to be offered exotic supporting roles that followed the rising " vamp " stereotype in cinema.
Both films were shot by cinematographer James Wong Howe. Peter Pan was more successful, and it was the hit of the Christmas season.
In early she joined a group of serial stars on a tour of the vaudeville circuits; when the tour proved to be a failure, Wong and the rest of the group returned to Hollywood.
In , Wong put the first rivet into the structure of Grauman's Chinese Theatre when she joined Norma Talmadge for its groundbreaking ceremony, although she was not invited to leave her hand- and foot-prints in cement.
Re-titled The Dragon Horse in , the film was one of the first U. The story was set in China during the Ming Dynasty and featured Asian actors playing the Asian roles.
Wong continued to be assigned supporting roles. Wu , she played a supporting role as increasing censorship against mixed-race onscreen couples cost her the lead.
In The Crimson City , released the following year, this happened again. Tired of being both typecast and passed over for lead Asian character roles in favor of non-Asian actresses, Wong left Hollywood in for Europe.
Of the German critics' response to Song , The New York Times reported that Wong was "acclaimed not only as an actress of transcendent talent but as a great beauty".
The article noted that Germans passed over Wong's American background: "Berlin critics, who were unanimous in praise of both the star and the production, neglect to mention that Anna May is of American birth.
They mention only her Chinese origins. While in Germany, Wong became an inseparable friend of the director Leni Riefenstahl. Her close friendships with several women throughout her life, including Marlene Dietrich and Cecil Cunningham , led to rumors of lesbianism which damaged her public reputation.
They had long been opposed to her acting career, which was not considered to be an entirely respectable profession at the time. Wong made her last silent film, Piccadilly , in , the first of five British films, in which she had a starring role.
The film caused a sensation in the UK. While in London, Wong was romantically linked with writer and broadcasting executive Eric Maschwitz , who possibly wrote the lyrics to " These Foolish Things Remind Me of You " as an evocation of his longing for her after they parted.
During the s, American studios were looking for fresh European talent. Ironically, Wong caught their eye, and she was offered a contract with Paramount Studios in Enticed by the promise of lead roles and top billing, she returned to the United States.
She instead used her knowledge of Chinese style and gestures to imbue the character with a greater degree of authenticity.
In November , Wong's mother was struck and killed by an automobile in front of the Figueroa Street house. Wong began using her newfound celebrity to make political statements: late in , for example, she wrote a harsh criticism of the Mukden Incident and Japan's subsequent invasion of Manchuria.
In a interview for Film Weekly entitled "I Protest", Wong criticized the negative stereotyping in Daughter of the Dragon , saying, "Why is it that the screen Chinese is always the villain?
We are not like that. How could we be, with a civilization that is so many times older than the West? Wong appeared alongside Marlene Dietrich as a self-sacrificing courtesan in Sternberg's Shanghai Express.
The Chinese press had long given Wong's career very mixed reviews, and were less than favorable to her performance in Shanghai Express.
A Chinese newspaper ran the headline: "Paramount Utilizes Anna May Wong to Produce Picture to Disgrace China" and continued, "Although she is deficient in artistic portrayal, she has done more than enough to disgrace the Chinese race.
Contemporary sources reported that this was probably the only time that an actor had been so honored. In both America and Europe, Wong had been seen as a fashion icon for over a decade.
After her success in Europe and a prominent role in Shanghai Express , Wong's Hollywood career returned to its old pattern.
Because of the Hays Code 's anti-miscegenation rules, she was passed over for the leading female role in The Son-Daughter in favor of Helen Hayes.
Again disappointed with Hollywood, Wong returned to Britain, where she stayed for nearly three years. In addition to appearing in four films, she toured Scotland and Ireland as part of a vaudeville show.
She also appeared in the King George Silver Jubilee program in Wong's biographer, Graham Russell Hodges, commented that this may be why the film remained one of Wong's personal favorites.
She had long been interested in Chinese opera and Mei offered to instruct Wong if she ever visited China.
In the s, the popularity of Pearl Buck 's novels, especially The Good Earth , as well as growing American sympathy for China in its struggles with Japanese imperialism, opened up opportunities for more positive Chinese roles in U.
Since its publication in , Wong had made known her desire to play O-lan in a film version of the book; [89] and as early as , Los Angeles newspapers were touting Wong as the best choice for the part.
Nevertheless, the studio apparently never seriously considered Wong for the role because Paul Muni , an actor of European descent, was to play O-lan's husband, Wang Lung, and the Hays Code prohibited portraying miscegenation on camera although both the characters were Chinese, the actors not being of the same race risked running afoul of the Code.
The Chinese government also advised the studio against casting Wong in the role. According to Wong, she was instead offered the part of Lotus, a deceitful song girl who helps to destroy the family and seduces the family's oldest son.
After the major disappointment of losing the role in The Good Earth , Wong announced plans for a year-long tour of China, to visit her father and his family in Taishan.
Aside from Mei Lanfang's offer to teach her, she wanted to learn more about the Chinese theater and through English translations to better perform some Chinese plays before international audiences.
Perhaps upon my arrival, I shall feel like an outsider. Perhaps instead, I shall find my past life assuming a dreamlike quality of unreality.
Embarking in January , Wong chronicled her experiences in a series of articles printed in U. During her travels in China, Wong continued to be strongly criticized by the Nationalist government and the film community.
She later commented that some of the varieties of Chinese sounded "as strange to me as Gaelic. I thus had the strange experience of talking to my own people through an interpreter.
The toll of international celebrity on Wong's personal life manifested itself in bouts of depression and sudden anger, as well as excessive smoking and drinking.
Don't let her go ashore. After she left for a short trip to the Philippines, the situation cooled and Wong joined her family in Hong Kong.
With her father and her siblings, Wong visited his family and his first wife at the family's ancestral home near Taishan. After returning to Hollywood, Wong reflected on her year in China and her career in Hollywood: "I am convinced that I could never play in the Chinese Theatre.
I have no feeling for it. It's a pretty sad situation to be rejected by Chinese because I'm 'too American' and by American producers, because they prefer other races to act Chinese parts.
To complete her contract with Paramount Pictures, Wong made a string of B movies in the late s. Often dismissed by critics, the films gave Wong non-stereotypical roles that were publicized in the Chinese-American press for their positive images.
These smaller-budgeted films could be bolder than the higher-profile releases and Wong used this to her advantage to portray successful, professional, Chinese-American characters.
Competent and proud of their Chinese heritage, these characters worked against the prevailing U. In Daughter of Shanghai , Wong played the Asian-American female lead in a role that was rewritten for her as the heroine of the story, actively setting the plot into motion rather than the more passive character originally planned.
Of this film, Wong told Hollywood Magazine , "I like my part in this picture better than any I've had before To me, that means a great deal.
In October , the press carried rumors that Wong had plans to marry her male co-star in this film, childhood friend and Korean-American actor Philip Ahn.
Bosley Crowther was not so kind to Dangerous to Know , which he called a "second-rate melodrama , hardly worthy of the talents of its generally capable cast".
Though he commented positively on its advocacy of the Chinese in their fight against Japan, he wrote, " Paramount should have spared us and its cast Paramount also employed Wong as a tutor to other actors, such as Dorothy Lamour in her role as a Eurasian in Disputed Passage.
In , having auctioned off her movie costumes and donated the money to Chinese aid, the Chinese Benevolent Association of California honored Wong for her work in support of Chinese refugees.
Being sick of the negative typecasting that had enveloped her throughout her American career, Wong visited Australia for more than three months in There she was the star attraction in a vaudeville show entitled 'Highlights from Hollywood' at the Tivoli Theatre in Melbourne.
Wong attended several socialite events at the Mission Inn in Riverside, California , in Wong starred in Bombs over Burma and Lady from Chungking , both anti-Japanese propaganda made by the poverty row studio Producers Releasing Corporation.
She donated her salary for both films to United China Relief. Even after American characters are captured by the Japanese, the primary goal of the heroes is not to free the Americans, but to prevent the Japanese from entering the city of Chongqing Chungking.
The film ends with Wong making a speech for the birth of a "new China". A Democrat , Wong was supportive of Adlai Stevenson 's campaign during the presidential election.
Later in life, Wong invested in real estate and owned a number of properties in Hollywood. In , Wong's father died in Los Angeles at the age of No copies of the show or its scripts are known to exist.
In late she suffered an internal hemorrhage , which her brother attributed to the onset of menopause , her continued heavy drinking, and financial worries.
In , Wong hosted one of the first U. She still found herself stereotyped, with one press release explaining her long absence from films with a supposed proverb, which was claimed to have been passed down to Wong by her father: "Don't be photographed too much or you'll lose your soul", [42] a quote that would be inserted into many of her obituaries.
Wong was scheduled to play the role of Madame Liang in the film production of Rodgers and Hammerstein 's Flower Drum Song , but was unable to take the role due to her health issues.
Her cremated remains were interred in her mother's grave at Rosedale Cemetery in Los Angeles. The headstone is marked with her mother's Anglicized name on top, the Chinese names of Anna May on the right , and her sister Mary on the left along the sides.
Wong's image and career have left a notable legacy. Alla fine degli anni trenta , comparve in numerosi B movie della Paramount Pictures , dando al personaggio della cinese-americana una caratterizzazione positiva, rispetto agli standard.
Per decenni dopo la sua morte, Anna Wong fu ricordata principalmente per i personaggi stereotipati che nell'immaginario cinematografico sono legati alla figura della donna orientale.
La sua vita e la sua carriera furono rivalutati in occasione del centenario della sua nascita in tre principali opere letterarie e rassegne cinematografiche.
Compare tra i personaggi della miniserie Hollywood. Altri progetti. Da Wikipedia, l'enciclopedia libera.
New York: Chelsea House, , p. Retrieved: August 1, Altri progetti Wikimedia Commons.
Wer war sie und woher stammt die Idee der Doodles eigentlich? Die sieben Slides des Doodles zeichnen ihre Karriere nach. Es würde sich dabei um Spangenpums handeln mit einem kleinen Absatz. Habt ihr sowas Hair Film mal bestellt? Aufgrund ihrer chinesischen Herkunft war sie durch den Zeitgeschmack auf klischeehafte Rollen festgelegt, die zu spielen ihr stets widerstrebte. Habt ihr Tipps? Januar mit einem Google Doodle. An manchen Tagen stechen sie einem ins Auge, an anderen übersieht oder ignoriert man sie einfach. Unstrittig ist jedoch, dass Wong Tote Mädche Lügen Nicht ihrem ausgeprägten Modebewusstsein — in ihrer Zeit galt sie als eine der bestgekleideten Frauen der Welt —, ihrer knabenhaften Figur und ihrer tiefen Stimme asiatischen Cross-Dressern — besonders den Camp -Fans unter ihnen — eine Fülle von Kinositze Anregungen A Scandal In Bohemia Deutsch hat. Immobilienbewertung kostenlos Was hat der Nachbar für sein Haus bezahlt - und wie viel ist meine Immobilie wert?Anna May Wong Der erste Hollywood-Star mit chinesischen Wurzeln – und Geliebte von Marlene Dietrich
Das lag hauptsächlich daran, dass Chinesen — Aufnahmeprüfung chinesische Frauen Emily Blunt Der Teufel Trägt Prada im öffentlichen und medialen Leben dieses Landes bis dahin kaum existierten. Wie könnten wir auch, mit einer Zivilisation, die so viel älter ist als der Netflix Familie Wrong language? Bemerkenswert ist der künstlerisch durchschnittliche Film vor allem dadurch, dass er auf grobe Stereotype verzichtet und die Liebesbeziehung der Hauptfigur glücklich endet. Gut zu wissen Das Immunsystem stärken — die acht besten Tipps für wirksamere Abwehrkräfte. Anna May Wong, Tochter chinesischer Einwanderer aus zweiter Generation, eroberte als erste asiatisch-stämmige Schauspielerin Hollywood. Duponts britischer Produktion Piccadilly spielte sie neben Jameson Thomas die Tellerwäscherin Shosho, die als Showtalent entdeckt wird. Google ehrte Anna May Wong am
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