
The Legend Of Aang Inhaltsverzeichnis
Der jährige Aang ist der Herr über die vier Elemente. Doch er war Jahre lang eingefroren und in dieser Zeit sind die Bedrohungen gewachsen. Er muss sich die Elemente schnellstmöglich wieder eigen machen, um die Welt zu retten. Avatar – Der Herr der Elemente (Originaltitel: Avatar: The Last Airbender, intl. auch Avatar: The Legend of Aang) ist eine US-amerikanische. Die Legende von Aang (Originaltitel The Last Airbender) ist ein US-amerikanischer Spielfilm aus dem Jahr Regie führte M. Night Shyamalan, der auch. - Erkunde L.F.s Pinnwand „Avatar - The Legend of Aang“ auf Pinterest. Weitere Ideen zu Avatar, Avatar herr der elemente, Aang. - Arlette CT hat diesen Pin entdeckt. Entdecke (und sammle) deine eigenen Pins bei Pinterest. - Erkunde DieEule97 ist hier!s Pinnwand „The Legend of Aang and Korra“ auf Pinterest. Weitere Ideen zu Avatar, Avatar herr der elemente, Aang. Some fan art for one of my favourite shows/series of all time, Avatar the Last Airbender and The Legend of Korra. Wanted to do a poster for each element with the.
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The Deepest Life Lessons in Avatar! 🍵 ft. Antoine Bandele \u0026 Karama HorneKonietzko described their early development of the concept; "There's an air guy along with these water people trapped in a snowy wasteland The series was introduced to the public in a teaser reel at Comic-Con , [18] and premiered on February 21, Our love for Japanese anime, Hong Kong action and kung fu cinema, yoga, and Eastern philosophies led us to the initial inspiration for Avatar: The Last Airbender.
A pilot episode for the series was made in It was animated by Tin House, Inc. Mitchel Musso voiced Aang in this pilot but was later replaced by Zach Tyler Eisen when the show began production.
In the episode, Sokka and his sister Kya renamed to Katara by the time the series aired must travel the world to find masters for Aang, who is the Avatar; however, they must evade a critical foe, Prince Zuko of the Fire Nation, who wants to capture Aang.
This episode was first publicly released as one of the extras in the NTSC season 1 DVD box set , which were not available with the previously-released individual volumes.
The episode was released with audio commentary from the creators, which unlike commentary on other episodes in the season is not possible to disable on the DVD set.
In , the pilot was shown on Twitch. The series is notable for borrowing extensively from East Asian art and mythology for its universe. Its creators employed cultural consultants Edwin Zane and calligrapher Siu-Leung Lee to help determine its art direction and settings.
They experimented with a wide range of instruments, including the guzheng , pipa , and duduk , to match the show's Asia-influenced setting.
To avoid accidentally making broad statements, they redesigned many settings and peoples to be more "broadly inspired".
The gestures used by the "bender" characters are derived from Chinese martial arts , for which the creators employed Sifu Kisu of the Harmonious Fist Chinese Athletic Association as a consultant.
For example, practitioners of "waterbending" use movements influenced by T'ai chi and focused on alignment, body structure, breath, and visualization.
Hung Gar was the inspiration for practitioners of "earthbending", and was chosen for its firmly rooted stances and powerful strikes as a representation of the solidity of earth.
Northern Shaolin , which uses strong arm and leg movements, was chosen to represent "firebending". Ba Gua , which uses dynamic circular movements and quick directional changes, was used for "airbending".
The series explored many concepts rarely touched on in youth entertainment, including issues relating to war, genocide , imperialism , colonialism and totalitarianism , gender discrimination and female empowerment, marginalization and oppression, as well as the philosophical questions surrounding fate, destiny and free will.
The show is set during a period where the entire world is engulfed in an imperialistic war initiated by the Fire Nation.
While war is a constant backdrop, the show depicts these effects through the eyes of common people—the oppressed Earth Kingdom citizens as well as indoctrinated Fire Nation schoolchildren—to show how war makes victims of everyone.
These situations show the corrupting nature of power and the nuances of good and evil. He arrives to discover his people have been massacred, and allows him to display a range of emotions, from rage to loss.
The character Zuko and his relationship with his father and Uncle Iroh is the series' main redemption arc, and represents the show's message that destiny and fate are not binding or set by other people, but can be changed.
For example, in introducing a blind character like Toph and a paraplegic boy like Teo, the show depicted characters with vulnerabilities overcoming their physical and societal limitations.
For example, female protagonist Katara faces systemic sexism when she reaches the Northern Water Tribe to learn waterbending. In another instance, her brother Sokka is initially dismissive of the all-female Kyoshi Warriors, but learns to respect and appreciate their skills.
Avatar: The Last Airbender was the highest-rated animated television series in its demographic at its premiere; [37] an average of 3. According to the Nielsen Media Research , the special was the highest-rated cable-television program that week.
The four-part series finale, " Sozin's Comet ", had the series' highest ratings. Its first airing averaged 5. Avatar: The Last Airbender received widespread critical acclaim.
Smith of IGN recommended it to viewers who enjoy action-adventure cartoons. Rob Keyes of Screen Rant called the series "one of the greatest cartoons ever made".
Amith praised its sophisticated storylines, edginess, humor, and action. The show's writing and theme have been widely praised by critics.
Michael S. Mammano of Den of Geek called the plot "smartly-written" and praised the animation. Smith compared the series' plot to Japanese action cartoons, calling its tone and dialogue "very American" and praising the humor leavening an epic, dramatic theme suitable for all ages.
According to Mike Noyes, the series amalgamates elements of "classic fantasy epics". The series' concept is "well-realized", with a consistent story.
Douglass wrote that the characters "[have] a real sense of progression", and praised the writers for their humor, drama, and emotion.
According to Miller, its writing was "true adult levels of storytelling". Critics also praised Avatar: The Last Airbender 's character development, art, animation, and choreography; Eric Amaya enjoyed the expressive animation that complements the writing.
According to Amaya, the elements were influenced by Hayao Miyazaki. Miller called the series' designs "rich and immersive", with each nation having its own, detailed look.
He praised the action scenes as "well rendered", comparing the development of the Avatar world to that of The Lord of the Rings , and the fight choreography as "wonderful in its most minor details".
Smith enjoyed the series' painstaking backgrounds. Avatar: The Last Airbender became a cult classic and had a large impact in the s on how networks viewed animated programs; subsequent children's shows would often blur the lines between youth and adult programming, featuring more adult themes.
A number of critics have referred to Avatar: The Last Airbender as one of the best animated television series of all time.
Several books based on the show have been published. This series was translated into Hebrew in — The series explores the emerging conflict between the benders and non-benders that becomes the center for the conflict in the first season of the sequel, The Legend of Korra.
Unlike the previous five books it was written by Faith Erin Hicks. A two-part young adult novel series focusing on Avatar Kyoshi written by F.
Yee was published in July by Abrams Children's Books. A video-game trilogy based on the series has been released.
Players can create their own character and interact with other players around the world. The series' first season was the basis of the live-action film The Last Airbender , which was written and directed by M.
Night Shyamalan. It was intended as the first of a trilogy of films, each of which would be based upon one of the three television seasons.
Netflix announced in September that a "reimagined" live-action remake of Avatar was to start production in The series' original creators, DiMartino and Konietzko, were to be the executive producers and showrunners.
On August 12, , Michael Dante DiMartino and Bryan Konietzko both revealed on their social media accounts that they had departed the show due to creative differences.
Merchandising for the series included action figures , a trading card game , three video games , stuffed animals distributed by Paramount Parks , and two Lego sets.
From Wikipedia, the free encyclopedia. This article is about the TV series. For the franchise, see Avatar: The Last Airbender franchise.
Animated television series. Action Adventure Fantasy Comedy-drama. Nickelodeon Animation Studio. See also: Sozin's Comet. Michael DiMartino left and Bryan Konietzko, the series' co-creators.
See also: Avatar: The Last Airbender franchise. Main article: Avatar: The Last Airbender comics. Main article: The Last Airbender.
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Archived from the original on September 23, Retrieved September 28, In the second season, Aang learns Earthbending from Toph Beifong [15] after he has a vision of the blind Earthbending in a swamp telling him to find her.
However, their flying bison, Appa , is captured by Sandbenders. Aang grows upset and angry and confronts the Sandbenders, learning that Appa has been sold.
After stopping a Fire Nation drill threatening the safety of Ba Sing Se, they look for Appa only to find themselves dealing with the Dai Li before exposing their leader's deception.
The group reunites with Jet helping them find Appa at Dai Li headquarters. Soon after, Aang meets a guru who attempts to teach Aang to open his seven chakras in order to control the defensive 'Avatar State'; but when Aang perceives Katara in danger, he leaves before the seventh chakra is opened, and thus loses his progress until the seventh is opened.
He is later brought back to life by Katara, using the spirit water given to her by the Northern Water Tribe at the start of the second season. In the third and final season, Aang is unable to use the Avatar State.
Although reluctant with the plan at first, Aang accepts to have everyone think he had died and his remaining allies attack the Fire Nation's capital, but are thwarted by Azula.
Aang and Zuko also improve their Firebending powers with the help of their world's last two dragons.
But upon learning that he was actually on the back of a Lion Turtle, one of four that made the first benders by manipulating humans' chi, Aang receives the Lion Turtles' Energybending.
During the final battle, Aang's scar is pressed against a jutting rock, opening his chakras and allowing him to enter the Avatar State.
Aang wins the battle, but before he delivers the final blow, he stops himself. Instead, Aang removes Ozai's bending ability, rendering him harmless and ending the Hundred Year War.
After beginning the Harmony Restoration Movement, an event that was meant to remove Fire Nation remnants from the Earth Kingdom, Aang agrees to end Zuko's life should he go down a path similar to his father, after the latter requests it, being stopped by Katara from entering the Avatar State as he began a later encounter with Zuko [24] and then tries to mediate protestors and the Yu Dao resistance, [25] afterward assembling members of a fan club and forming the "Air Acolytes", a group that he intends to teach the ways of the Air Nomads.
Being frozen in an iceberg for years while in the Avatar State drained much of Aang's life energy. While he did not feel the effects for many years, after he entered middle age in his 50s, the strain of this exertion increasingly weighed upon his body.
Ultimately, it resulted in Aang dying at the relatively young biological age of 66 since he was in the ice for years, in AG. Aang was survived by his wife, Katara, and his three children, but he did not live to see his grandchildren, all of whom would become powerful airbenders.
Prior to his death, Aang tasked the Order of the White Lotus with finding and guiding the new Avatar after him.
Aang intended for the Order to simply guide and guard Korra, but several mishaps in the aftermath of Aang's death including a kidnapping attempt by the anarchist Zaheer and the still-fragile state of relations between the now-Five Nations resulted in Katara and Tenzin sequestering Korra in a compound at the South Pole, bringing teachers to her instead of allowing her to seek out her own.
In the sequel series' first season, Avatar Aang's spirit occasionally serves as the spiritual advisor to seventeen-year-old Korra much like the previous Avatar incarnation, Roku, did for Aang.
Initially, Aang is only able to give Korra glimpses of his memory concerning Yakone in relation to her confrontations with his two sons, Amon and Tarrlok, the products of Yakone's Bloodbending vendetta on the Avatar.
It is only after she loses her ability to bend that Korra allows herself to listen to her past lives, at which point Aang restores her powers by triggering the Avatar State and teaching her to Energybend.
The sequel series' second season reveals that Avatar Aang apparently treated Tenzin as his favorite child, due to his son's Airbender status; Kya and Bumi mentioned to Tenzin that Aang always took Tenzin on vacations with him, but never them.
Aang's Air Acolytes also were unaware that Aang had two other children besides Tenzin. Tenzin himself insists that Aang loved all his children equally, but that Aang took more precedence in raising him since Tenzin would have to take care of future generations of airbenders.
Aang himself later appears, along with Roku, Kyoshi and Kuruk, before Korra in a vision and encourages her to learn the origins of Wan the first Avatar and Raava.
Aang, or possibly a vision of him, later appears in the Spirit World, encouraging Tenzin to move past the enormous legacy of being Aang's son and find his own path.
Korra's connection to Aang and the other preceding Avatars is severed when Vaatu extracts and subsequently kills Raava, the divine Avatar Spirit entity within her.
Even though Raava is reborn and fused again with Korra, she discovers, to her dismay, that her spiritual connection to Aang and all past Avatars is gone forever.
When Zaheer gave an ultimatum: Surrender to him or lose the new airbenders, Korra mediated into the spirit realm, she expressed her wish to call upon Aang's spirit and ask his advice in saving the new Air Nomads.
Iroh's spirit assured her that, even though Aang was no longer able to guide her, she could ask one of Aang's closest friends: Lord Zuko.
Aang also appeared in Escape from the Spirit World , an online video game that can be found on Nickelodeon's official website.
The game includes certain plot changes that are not shown in the show. There is also a location in the game set in the Air Temple. Tokyopop has published a films comic sometimes referred to as cine-manga , in which Aang, being the main character of the show, appears repeatedly.
In , director M. The casting of a presumed white actor in the role of Aang as well as a primarily Caucasian cast in the Asian-influenced Avatar universe triggered negative reactions from some fans, marked by accusations of racism, a letter-writing campaign, and a protest outside of a Philadelphia casting call for movie extras.
A counter-movement was spawned in response by other fans who believed the casting was appropriate. Aang's character was developed from a drawing by Bryan Konietzko, depicting a bald man with an arrowlike design on his head, which the artist developed into a picture of a child with a flying bison.
The plot they described corresponds with the first and second episodes of Avatar: The Last Airbender , where the "water people" Katara and Sokka rescue the "air guy" Aang while "trapped in a snowy wasteland " the Southern Water Tribe with "some fire people [that] are pressing down on them" Fire Nation Troops and Zuko.
The creators lost interest in this theme, and changed it to one hundred years of suspended animation. The robotic Momo became a flying lemur , and the herd of bison was reduced to one.
According to the show's creators, "Buddhism and Taoism have been huge inspirations behind the idea for Avatar. In "The Spirit World Winter Solstice, Part 1 ", Aang encounters an angry spirit destroying a village and kidnapping villagers; but instead of fighting the spirit, Aang negotiates.
As the Avatar, Aang is capable of bending all four elements air, water, earth and fire. The series' creators consulted a professional martial artist in the design of the show's fighting style; each of these styles' philosophies and set movements corresponds to a specific "bending arts".
The creators made bending a natural extension of consistent limitations and rules of the world. Everything in Avatar's world, whether it be clothing, culture or infrastructure, is influenced by bending.
The City of Omashu uses a complex system of gravity and earthbending to transport supplies. The Water Tribes were a naval superpower: their buildings are made of ice and used waterbending as mechanisms for their walls and gates.
Airbenders built temples atop high mountains and cliffs that could only be easily reached by Airbending and they have a hermetic ideology to reflect this isolation.
The Fire Nation were the first to industrialize due to their ability to generate power and master metallurgy with their bending of fire and lightning.
At the start of the series, Aang is initially only proficient in air, having been able to bend it with ease since he was a young child.
Through the teaching of Katara and Zuko, he gradually learns waterbending and firebending; but struggles with Toph's teachings of earthbending due to its rigid nature conflicting with his desire for freedom.
Aang utilizes all elements equally, but heavily favors airbending for crowd control and non-lethal purposes, in accordance with his pacifism principles.
As the Avatar, Aang is as a bridge between " Material World " and the " Spirit World ", the plane of existence where the universe's disembodied spirits dwell.
His spirituality training progressed swiftly, granting visions and access to the various memories from his past lives.
As his predecessors, his most powerful ability is the Avatar State , in which he receives a massive boost in raw power from the cosmic energy, enabling him to easily overcome any opponent that tries to fight him head on.
It allows him to use all four elements at the same time. In addition, this state allows him to access bending techniques he would not have learned during his own lifetime but throughout those of his past lives.
If he is killed in the Avatar State, then this would cause the Avatar to cease being reincarnated unless his Avatar spirit is able to reconnect with his past four lives in the Spirit World.
Aang was received exceptionally by critics and fans. Kendall Lyons stated, "Aang seems to be the lighthearted kid that you can easily familiarize yourself with", and that he "seems to bring comfort in the most dangerous or hostile situations.
From Wikipedia, the free encyclopedia. Mediator of balance , peace , order and reconciliation Bridge between spirit and material world.
Airbending native Earthbending Firebending Waterbending Energybending. Main article: Avatar: The Last Airbender comics. Main article: The Last Airbender.
Archived from the original on Retrieved Archived from the original on 14 March Viacom Corporation. Archived from the original on 16 April
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