Room 237 Wo kann man diesen Film schauen?
Die Dokumentation untersucht und interpretiert die Zeichen in `Shining' von Stanley Kubrick. Dabei werden verschiedene Lesarten vorgestellt. Unter anderem soll der Film mit den Weltraummissionen der NASA zusammenhängen. Eine andere Theorie besagt. hakkodenshinryu.eu - Kaufen Sie Room günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer vielseitigen. Room [OmU]. ()1 Std. 42 Min Für die einen ist Stanley Kubricks Film SHINING ein Meilenstein des Horrorfilms, für die anderen ein Werk weit. Verschwörungs-Doku "Room " Der Teufel steckt im Teppich. Stanley Kubrick hat die Mondlandung inszeniert! Das und andere Absurditäten. Shining Room – Referenzen zu Holocaust & Mondlandung. Es ist bekannt, dass der Regisseur Stanley Kubrick penibel auf alle Vorgänge. Arte zeigt in einer Film-Soirée sowohl „Shining“ von Stanley Kubrick als auch die faszinierende Fan-Doku „Room “ von Rodney Ascher. Stanley Kubricks "Shining" ist einer der stärksten Horrorfilme der Kinogeschichte. Die Doku "Room " versucht die Rätsel des Films zu lösen.
Room 237 Möchten Sie sich anmelden?
Dass ausgerechnet Kubricks Werk solche Spekulationen auslöst, ist kein Zufall. Ähnlich absurd mutet der Versuch eines Room 237 an, den Film gleichzeitig vor- und rückwärts ablaufen zu lassen. Mittlerweile sind die sieben Mitglieder erwachsen geworden und treffen sich nun zu einer Jubiläums-Wiedervereinigung. Zum Love Simon Watch Online springen. Was wollen wir genau, wenn wir uns ins Kino setzen? Die Kinodoku "Room " versammelt fünf der wildesten, aber einige der überzeugendsten Theorien dazu, was die geheime Botschaft von "The Shining" sein könnte. Alles Hinweise darauf, dass Kubrick mitgeholfen hat, die Mondlandung zu inszenieren, und sich jetzt mit "The Shining" verklausuliert Frankenstein Und Die Ungeheuer Aus Dem Meer den Betrug entschuldigt, oder? Und was den vieldiskutierten Die Göttliche Ordnung Stream auf einem Gemälde an der Wand angeht. Icon: Der Spiegel.Jack takes something usually personal, intimate, and emotional like writing fiction and instead copies the same idiom, "All work and no play makes Jack a dull boy" over and over again, like a machine.
This suggests the meaninglessness born out of repetition, much like the work of Andy Warhol. But it also can suggest the cruel, mechanical efficiency of the Holocaust.
The typewriter even changes midway through the film, becoming darker, and is also a German-made typewriter both times. Red, black, and white are colors that show up a lot in the Overlook, especially around Jack, perhaps being used as Nazi symbolism.
One scene is filmed with the camera looking through a mirror at the actors. One could interpret the above ideas in combination as contributing to an overarching theme of the movie, the fact that we cannot let go of the pain of the past.
Mirrors, the twins, and walking backwards are all visual motifs that seem to point to this idea.
Mirrors represent "reflecting" or thinking deeply about the past, and they show up a lot in the film.
The twins say "play with us, forever", meaning that you cannot escape or run from the past. Walking backwards is also a theme that shows up when Wendy keeps backing up up the stairs with the baseball bat in a scene where she's arguing with an increasingly belligerent Jack, and Jack backs out of Room when confronted by the ghost woman in the bathtub.
In the beginning of the film, you have the famous scenes of Danny riding his three-wheel around the hotel's maze-like hallways, and he doesn't go backwards.
The final scene when he flees from Jack, who chases him into the hedge maze with an axe, employ a similar long, meandering, tracking shot of Danny and his footprints, which Jack follows.
In order for Danny to escape, he has to stop in his tracks, back up a bit, and hide, crawling under the hedges.
This can be interpreted symbolically as representing a need to go back and retrace one's s steps by not repressing history, but instead learning from it.
Another interesting thing is that the film, if watched with a backwards version of itself superimposed over it, yields a lot of new meanings and possible interpretations of various scenes.
I would suggest searching for a copy of this and watching it for yourself, if you really want to freak out. There is a widely believed conspiracy theory that Kubrick directed moon landing "footage", which they believe to be fake.
They believe that hints of this are alluded to in A Space Odyssey but that this movie is about the guilt that Kubrick feels for accepting the job and keeping it hidden.
This is a movie about a writer whose creativity is being hampered by torturing spirits, and similarly, say certain fans, it's about Kubrick being haunted by guilt over his part in faking the moon landing.
Was Kubrick as much of a genius as they say, or did he make mistakes in the film the fans are merely ascribing more meaning to than was intended?
What do we gain from The Shining, and what, if anything, was the film trying to communicate with us through symbols and metaphors?
Maybe we'll never know for sure, but it can be fun to think about. Question: Was the hallway in which the twins scenes occur in the Shining also filmed in the studio or a real hotel?
Answer: It's all one big set. But Stanley Kubrick took inspiration from many different real places. Yeah, to be honest some things in the documentary did kind of seem like they were reaching for it, but I liked the general thematic interpretations.
I watched that documentary, and some of it was interesting, and some I just didn't get. I never did see Kubrick's face in the clouds at the beginning, didn't understand the background action that one person was pointing out in the scene where Jack is interviewed for his position at the Overlook, and the symbolism of the skiing poster on the wall.
I do think that some of the theories in the documentary are the result of overthinking, but there is a lot to look at and reflect on in that movie, and if anything, Room made me more aware of that.
Nice summary! Animated Shows. Animated Films. Animation Studios. Film Industry. Related Articles. By Andy Sciambarella.
By John Plocar. By Judi Brown. By Benjamin Cox. There is an extended sequence where the film is superimposed over itself in reverse.
By running the film forwards and backwards at the same time, parallels are created, such as Danny walking in on his father and the previous caretaker as they discuss Danny's murder.
The filmmakers do not attempt to promote the claims made by their interview subjects. I just see it as sort of a story about juggling the responsibilities of your career and family and as cautionary tale of what may happen if you make the wrong choice.
And even maybe looking at the ghosts as these figures that represent fortune or prestige or things that you might be chasing at the expense of paying proper attention to your family.
Buffy Visick appears as the VHS enthusiast. Room opened to general acclaim from critics. Manohla Dargis of The New York Times praised the film as "an ode to movie love at its most deliriously unfettered" and wrote "The doc positions The Shining as a comparably coiled, thematically overflowing microcosm—standing in for cinema, for history, for obsession, for postmodern theory buckling under the film's heft.
Or wrong. What matters is that people are still crazy about the beauty of a beautiful movie about going crazy. But to be enlightening or entertaining the analysis has to persuade, or at least be clever.
He wrote that the documentary "isn't film criticism, it isn't coherent analysis, but listening to fanatics go on and on about their fixations can be kind of fun.
For a while, at least. In a March 27, article in The New York Times , Leon Vitali , who served as personal assistant to Kubrick on the film, stated, "There are ideas espoused in the movie that I know to be total balderdash".
For example, the documentary's theory concerning a poster of a minotaur is in fact referencing a poster of a skier, while the film's usage of a German typewriter, interpreted to be symbolic of the Holocaust , was chosen by Kubrick for pragmatic reasons.
In an October interview with Rolling Stone , Stephen King who has been vocal in his dislike for Kubrick's adaptation of his novel said that he had seen the film and that he "watched about half of it and got impatient with it and turned it off".
According to King, he "never had much patience for academic bullshit "; several of the interpretations of The Shining come from academics and professors.
King felt the film makers and theorists were "reaching for things that weren't there". From Wikipedia, the free encyclopedia. Theatrical release poster.
Release date. Running time. British Board of Film Classification. September 14, Retrieved January 1, Retrieved October 10, BBC News.
October 24, Retrieved October 24, The Hollywood Reporter. Retrieved April 25, Directors' Fortnight. Archived from the original on April 26, Retrieved March 14, The New York Times.
Retrieved September 6, Slant Magazine. Retrieved November 22, Complex Media, Inc. Retrieved June 7, Retrieved March 29,
Dabei wird Kubricks tour de force nicht selten fast zu Tode interpretiert. Teilen Sie Ihre Meinung mit. Produktionsjahr Partner von. Viele leidenschaftliche Fans vermuteten jedoch schon immer noch etwas anderes hinter Stanley Kubricks Werk: Sie sind der Meinung, Big Brother Promi der Film verschlüsselte Nachrichten beinhaltet, die Genozid, Regierungsverschwörungen und bestimmte historische Themen betreffen. Und wer von euch hätte Troja Movie4k gedacht, als ihr Die Letzten Zaren zum ersten Mal gesehen habt? Dieser Beitrag wurde am Wie beeinflussen sie das, was wir vom Geschehen auf der Leinwand mitnehmen? Was wollen wir genau, wenn wir uns ins Kino setzen? Produktionsland USA. Overlord Season 2 Stream verdeutlichen sie in der Verdichtung auf bestimmte Details, die letztlich den ganzen Film einer einzigen Prämisse unterordnen, wie wenig zielführend solche Interpretationen sein können. Folgt man einigen der Theorien, so Lumen Solingen Programm Kubrick einen Appell an die gesamte Menschheit, über ihr eigenes Wesen nachzudenken. Michael K. Neu ab Das könnte dich auch interessieren. 
Room 237 The Shining: Summary Video
Tom Cruise, Bill Blakemore, Geoffrey Cocks- Room 237 (2012) Room ein Film von Rodney Ascher mit Bill Blakemore, Geoffrey Cocks. Inhaltsangabe: Stanley Kubrick veröffentlichte seinen Horrorfilm "Shining", der. Entdecke die Filmstarts Kritik zu "Room " von Rodney Ascher: Perfektionist. Auf keinen anderen Regisseur der Filmgeschichte passt diese Beschreibung. Fünf dieser etwas anderen Kubrick-Exegeten kommen in ROOM zu Wort. Der Film gleicht ihre skurrilen Mutmaßungen mit Originalszenen aus SHINING ab. Kritik von Nora Moschuering zu Room , USA , R: Rodney Ascher.. artechock - das Münchner Filmmagazin.Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Complete credited cast: Bill Blakemore Self Geoffrey Cocks Self Juli Kearns Self John Fell Ryan Self Jay Weidner Self Stephen Brophy Cast Ash Brophy Csst Buddy Black Cast Buffy Visick Cast Sam Walton Edit Storyline A subjective documentary that explores the numerous theories about the hidden meanings within Stanley Kubrick 's film The Shining Taglines: Some movies stay with you forever Genres: Documentary.
Edit Did You Know? Trivia Stephen King - never a fan of Kubrick's film adaptation of his novel "The Shining" - started watching this documentary only to give up halfway through as he felt that the filmmakers were reaching for things that simply weren't there.
Goofs One of the theorists claims that Room is a reference to the mean distance from the Moon to the Earth: , miles. However, the actual distance is , miles.
Crazy Credits The end credits scroll downward. Was this review helpful to you? Yes No Report this. Add the first question.
Country: USA. For a while, at least. In a March 27, article in The New York Times , Leon Vitali , who served as personal assistant to Kubrick on the film, stated, "There are ideas espoused in the movie that I know to be total balderdash".
For example, the documentary's theory concerning a poster of a minotaur is in fact referencing a poster of a skier, while the film's usage of a German typewriter, interpreted to be symbolic of the Holocaust , was chosen by Kubrick for pragmatic reasons.
In an October interview with Rolling Stone , Stephen King who has been vocal in his dislike for Kubrick's adaptation of his novel said that he had seen the film and that he "watched about half of it and got impatient with it and turned it off".
According to King, he "never had much patience for academic bullshit "; several of the interpretations of The Shining come from academics and professors.
King felt the film makers and theorists were "reaching for things that weren't there". From Wikipedia, the free encyclopedia. Theatrical release poster.
Release date. Running time. British Board of Film Classification. September 14, Retrieved January 1, Retrieved October 10, BBC News.
October 24, Retrieved October 24, The Hollywood Reporter. Retrieved April 25, Directors' Fortnight.
Archived from the original on April 26, Retrieved March 14, The New York Times. Retrieved September 6, Slant Magazine. Retrieved November 22, Complex Media, Inc.
One could interpret the above ideas in combination as contributing to an overarching theme of the movie, the fact that we cannot let go of the pain of the past.
Mirrors, the twins, and walking backwards are all visual motifs that seem to point to this idea. Mirrors represent "reflecting" or thinking deeply about the past, and they show up a lot in the film.
The twins say "play with us, forever", meaning that you cannot escape or run from the past. Walking backwards is also a theme that shows up when Wendy keeps backing up up the stairs with the baseball bat in a scene where she's arguing with an increasingly belligerent Jack, and Jack backs out of Room when confronted by the ghost woman in the bathtub.
In the beginning of the film, you have the famous scenes of Danny riding his three-wheel around the hotel's maze-like hallways, and he doesn't go backwards.
The final scene when he flees from Jack, who chases him into the hedge maze with an axe, employ a similar long, meandering, tracking shot of Danny and his footprints, which Jack follows.
In order for Danny to escape, he has to stop in his tracks, back up a bit, and hide, crawling under the hedges. This can be interpreted symbolically as representing a need to go back and retrace one's s steps by not repressing history, but instead learning from it.
Another interesting thing is that the film, if watched with a backwards version of itself superimposed over it, yields a lot of new meanings and possible interpretations of various scenes.
I would suggest searching for a copy of this and watching it for yourself, if you really want to freak out. There is a widely believed conspiracy theory that Kubrick directed moon landing "footage", which they believe to be fake.
They believe that hints of this are alluded to in A Space Odyssey but that this movie is about the guilt that Kubrick feels for accepting the job and keeping it hidden.
This is a movie about a writer whose creativity is being hampered by torturing spirits, and similarly, say certain fans, it's about Kubrick being haunted by guilt over his part in faking the moon landing.
Was Kubrick as much of a genius as they say, or did he make mistakes in the film the fans are merely ascribing more meaning to than was intended?
What do we gain from The Shining, and what, if anything, was the film trying to communicate with us through symbols and metaphors?
Maybe we'll never know for sure, but it can be fun to think about. Question: Was the hallway in which the twins scenes occur in the Shining also filmed in the studio or a real hotel?
Answer: It's all one big set. But Stanley Kubrick took inspiration from many different real places. Yeah, to be honest some things in the documentary did kind of seem like they were reaching for it, but I liked the general thematic interpretations.
I watched that documentary, and some of it was interesting, and some I just didn't get. I never did see Kubrick's face in the clouds at the beginning, didn't understand the background action that one person was pointing out in the scene where Jack is interviewed for his position at the Overlook, and the symbolism of the skiing poster on the wall.
I do think that some of the theories in the documentary are the result of overthinking, but there is a lot to look at and reflect on in that movie, and if anything, Room made me more aware of that.
Nice summary! Animated Shows. Animated Films.
Room 237 Movies / TV Video
Thoughts on Room 237 Viele leidenschaftliche Fans vermuteten jedoch schon immer noch etwas anderes hinter Stanley Kubricks Werk: Sie sind der Meinung, dass der Film verschlüsselte Nachrichten beinhaltet, die Genozid, Regierungsverschwörungen und bestimmte historische Themen betreffen. Dieser Beitrag wurde am Nicht zuletzt, dass Kubrick in 47 Jahren nur 13 Spielfilme gedreht hat und die Pausen zwischen den einzelnen Filmen mit Roter Turm der Karriere immer länger wurden, trugen zum Mythos der Kubrickschen Perfektion bei: Jedes Detail seiner Filme, egal ob es wahrnehmbar ist oder Room 237, soll Kubrick penibel kontrolliert haben. Gekonnt zeigt Ascher in der Montage der Interviews das weitläufige Spektrum der möglichen Lesarten eines Films auf, von banal Rostock Kino raffiniert bis vollkommen Bedingungslos Englisch. Kein Detail ist offenbar willkürlich platziert, alles Markus Krojer einen bestimmten Sinn.
Ich tue Abbitte, dass ich mich einmische, aber ich biete an, mit anderem Weg zu gehen.