Top 50 Actionfilme Ihr wollt von uns wissen, was gute Actionfilme sind?
Du liebst Action und Filme? Entdecke jetzt Top Actionfilme in unserer Liste der 50 besten Actionfilme! Entdecke die besten Actionfilme in unserer Top 50, von Martial Arts bis Vintage Action, dazu Verfolgungsjagden, knallharte Ladys und Superhelden! Habe mir das Heft von TV Movie mit dem Ranking der Top Actionfilme nicht da rein gehören wie z.B. Braveheart oder auch ältere Fime der 50er und 60er. Entdecke die besten Actionfilme: The Dark Knight, Inception, Stirb langsam, Heat, Matrix, Terminator 2 - Tag der Abrechnung, Django Unchained. Wir haben die besten zehn Actionfilme für Sie herausgesucht und bewertet: dass wir uns dazu entschlossen haben, daraus eine eigene Top Ten-Liste zu Top Die besten Actionfilme des Jahrtausends. Kassenkracher. Die Top Die FILMSTARTS-Redaktion hat diskutiert, gewählt und sich entschieden. Hier sind sie nun, die unserer Meinung nach 75 besten Actionfilme. Das sind die 20 Highlights und sonstige sehenswerte Actionfilme, die Netflix UNSERE TOP ACTION OHNE UMWEGE Die Killer-Organisation "Damokles", für die er seit Jahren arbeitet, zahlt jedem Killer, der das
Top 50 Actionfilme
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A teacher at a private school in Florida has admitted sex with students during a period when she could earn money doing so. The teacher and two of her friends allegedly tried to force the year-old student to engage in sexual acts with them.
The girls had been at the school with other teens from a private, Christian school for nearly two years. When it comes to child sex abuse, there are multiple factors — not the least of which is the role model schools are placed in.
The girl was a sophomore at the school before being removed from the school. She was charged with sex crimes when she turned In , Rippman-Tripp was arrested for having sex with another boy while she was a senior at the school.
Krieger, the lawyer, told the newspaper. After the sentencing, Rippman-Tripp was arrested again — this time in front of a county jury.
Caltex apologises for abrasive material release, but says it is unlikely to impact consumer demand or the production of more cards.
The average value of a card has gone up by just under 25 per cent over the past 12 months, as more of them have been manufactured.
And card price growth over the past few years has slowed from around 11 per cent a year earlier, according to Cardmarket, to just under 6 per cent.
While there has been progress in card sales over the last few years, demand has been slower. It now makes up just over 15 per cent of all transactions.
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If you want the best of both worlds, there are various educational video games for kids. Thanks for your post. And then there are the tenants of a local tenement who possess incredible martial arts skills.
Read Empire's Kung Fu Hustle review. The plot, involving the recovery of a stolen sword and a couple of pairs of lovers, might seem a little far fetched at times, and the subtitled dialogue a touch too stately, but the sheer scale of Crouching Tiger 's setting, cinematography and fight choreography will leave all but the most stone-hearted impressed.
Delicate, dialogue-heavy scenes are torn apart by Chow Yun-Fat , Michelle Yeoh and Zhang Ziyi as they blast up and over treetops, through the air, and into their enemies with such balletic grace you can scarcely believe your eyes.
On the run - a journey including the spectacular set piece of Ford flinging himself down a storm drain - he has to deal with the formidable tenacity of pursuing agent Tommy Lee Jones.
Read Empire's The Fugitive review. The set-up has Swizzle as a bouncer at the seedy titular establishment, the Double Deuce.
But his attempts to clean up the joint lead him into violent confrontation with local heavy Ben Gazzara and his goons. Along the way Swayze gets to do a spot more dirty dancing — this time with Kelly Lynch — and a modicum of throat ripping.
Read Empire's Road House review. It's full of the action for which Cruise has become known for in this franchise particularly; literally throwing himself into harm's way in search of the best action moments.
It might not do much for McQuarrie's stress levels or Cruise's body , but it certainly is entertaining for audiences. Read Empire's Mission: Impossible — Fallout review.
Arriving at the height of grunge it was also perfectly placed to ride the alt-rock wave, and did so without ever feeling like an embarrassing studio attempt to appeal to a yoot movement: The Crow rages to a soundtrack that still feels credible two decades later.
Read Empire's The Crow review. The thesis is that the Bunch are men out of time, left behind as the march of progress leaves them obsolete in the developing American West.
Read Empire's The Wild Bunch review. The biggest hit of the three, it also established Paul Greengrass as arguably the premier thriller director currently plying his trade.
Read Empire's The Bourne Ultimatum review. Adding 37 percent more slow-mo to the decade, John Woo exploded out of Hong Kong action cinema and into the international spotlight with a run of badass crime flicks in which Chow Yun-Fat wasted ruthless gangsters in big jackets and there would often be doves.
Following A Better Tomorrow , Woo's pioneering use of gun-fu, a lucky charm in Yun-Fat and those doves all came together in the blazing church-set crescendo to this attention-grabbing maelstrom of Triad carnage.
Nestled amid the awesome pyrotechnics are ageless themes of honour and redemption worthy of Woo's main influences, Martin Scorsese and Jean-Pierre Melville.
Read Empire's The Killer review. Kirk Douglas was born in Mead is quaffed, buxom wenches are goosed, and the tone is Read Empire's The Vikings review.
The first of six seven if you include Once A Cop , but still the best of them: an exuberant outing for Jackie Chan at the height of his diminutive ass-kicking powers.
But it all gets rather complicated by the fact that she has her own agenda. It all ends up with a massive rumble in a shopping mall.
Pure slapstick action-comedy excellence. Read Empire's Police Story review. Of course, most stars of the silent era performed their own stunts, from the Keystone films of Mack Sennet, to Charlie Chaplin and, best of all, Buster Keaton.
But arguably the most famous image of the lot is Harold Lloyd hanging off a clock face at the climax to Safety Last.
The long-shots of Lloyd climbing the building actually are of a double, but the mid-shots and close-ups are all Lloyd, as are the clock-dangle and all the dicking about on the top of the building — and it is genuinely the top of a building and not a studio mock-up.
No strings attached, and he only had three fingers on his right hand. Still vertiginously, viscerally thrilling, in a way CG could never achieve.
Read Empire's Safety Last review. But John Wick was an instant classic nonetheless, kicking of a series that continues to gain momentum. Read Empire's John Wick review.
Glossy Michael Bay action from the days when that meant something other than Transformers. Nic Cage is the younger suit sent to chaperone him.
Read Empire's The Rock review. The third James Bond movie and perhaps the quintessential one. For better or worse…. Read Empire's Goldfinger review.
It's no exaggeration to say that there are few joys greater in life than Buster Keaton 's The General. Alongside possibly Sherlock Jr.
First released in , it was initially greeted with indifference by moviegoers and a chorus of disdain from critics. The Civil War adventure left Keaton physically bruised and financially battered, with that old loco left down a gorge and Old Stone Face shackled to MGM and creatively stymied.
Since then, though, The General has gained the richly deserved status of silent masterpiece. If you don't know the story, suffice to say that Keaton is a railwayman stuck between two warring armies, with his beloved gal Marion Mack to defend and his treasured train to rescue.
Things don't run smoothly. Read Empire's The General review. So much more than a high-concept action movie about a cyborg policeman, RoboCop is also a savage satire and a religious parable, with its structural narrative nicked from folk mythology.
The deeper you go into it, the more you find. But it works as a shoot 'em up too. Its gonzo violence perhaps functions so well because it's from an outsider's skewed perspective: Dutch director Paul Verhoeven , here only making his second English-language film.
The sequels and remake increasingly missed the point. Verhoeven's later Starship Troopers is RoboCop 's real spiritual successor.
Read Empire's RoboCop review. Jason Statham already had an action franchise in the Transporter films, but Crank was the one that really cemented him as the Stath we know and love today.
Hence car chases through shopping malls, impromptu sex, copious fights Statham is the granite centre of the madness: almost Buster Keaton-like in his stoic single note of constant simmering annoyance.
Read Empire's Crank review. It remains an extraordinary film, for its violence, its insane performance from Gary Oldman as villain Stansfield, and for the queasy pseudo-romance at its centre between Leon and stray waif Mathilda the then year-old Natalie Portman.
Read Empire's Leon review. Many explosions, machine-gunnings and knifings later, Arnold is, of course, unscratched.
What times we live in. Read Empire's Commando feature. Seemingly from out of nowhere came the sudden arrival of one of the most blistering action films of the 21st century to date: a ferocious curio stemming from Indonesia but written and directed by Welshman Gareth Evans.
Lots of guns. They have to fight their way to the top of a tower block and back out again. The Raid 2 — a massive and unexpected expansion, keeping the extreme violence but adding a level of Once Upon A Time In Indonesia -style epic drama — followed two years later.
The third in the projected trilogy has been promised but has yet to materialise. Read Empire's The Raid review. Two trucks. Four men. Enough nitroglycerine to blow up South America.
These are heady ingredients for any thriller, but the genius of Henri George Clouzot's downbeat stunner lies in its murky, masterful characterisation.
He invests the first half in developing his quartet of desperate men, each willing to risk it all for a stack of oil company greenbacks, so that by the second, a nerve-ripping ride up mountain passes and through tortuous jungles, we're right there in the cab with them.
The first trilogy had petered out with the almost straight-to-video Tokyo Drift. Fast Five reimagines the brand as a ridiculously high-octane Italian Job -style crime caper — climaxing with a vault robbery in which massive safes are dragged round busy streets by Dodge Chargers, causing maximum destruction.
And of course, this was the first of the Fasts to drop The Rock on proceedings. Which is always an excellent idea. Read Empire's Fast Five review.
Read Empire's Casino Royale review. John Woo 's later work might have tailed off somewhat see Mission: Impossible II — or, if you prefer, don't , but his super-stylish Hong Kong period remains virtually untouchable, and Hard Boiled is the best of the lot.
Even if it does sacrifice emotional development in Chow Yun-Fat's kick-ass cop Tequila on the altar of gun porn, it remains a guns-a-blazing, walls-exploding, tea-room-destroying, hospital-devastating triumph, and a must-have for every action fan.
It's so influential that it took Woo global and slung Chow into the big time, all whilst carrying a shotgun in one hand and a surprisingly large baby in the other.
Read Empire's Hard Boiled review. Read Empire's The Driver review. The remake dutifully piled on the action but missed that aspect entirely.
Read Empire's Point Break review. Rambo was forced into the role of one-man-army superhero for the daft sequels, so it's refreshing to revisit First Blood and find a thrilling pulp drama about a PTS sufferer driven over the edge by bullying small-town petty-mindedness.
Sylvester Stallone is a decent actor when given the opportunity, and John Rambo in this film, crucially, is almost believable: the crunchy action kept under tight control by director Ted Kotcheff.
It's a decent adaptation of David Morrell's page-turning novel too, although Brian Dennehy 's Sheriff Teasle gets shorter shrift, and the devastating ending is changed so that Rambo lives.
Read Empire's First Blood review. Almost unbelievably this is a studio movie: Warner Bros. This is filmmaking as myth, legend, campfire tale.
Strange how the biggest action hero of the decade earned that accolade by playing one of that same decade's biggest villains.
Even stranger when you consider said action hero wasn't even physically suitable for the part, as originally envisioned by James Cameron.
After all, the T cyborg was supposed to blend in, be a hidden assassin, look Not, for example, like a hulking Austrian bodybuilder last seen hacking people up with a broadsword in Conan The Barbarian.
Still, The Terminator hit huge and gave us two '80s icons in one: the larger-than-life Arnold Schwarzenegger , with his catchphrase, his rippling muscles and his extensive, explosive ordnance.
And the steely-grinned, red-eyed nightmare from the future, which until the firey final act lurked beneath that sculpted physique.
Read Empire's The Terminator review. Christopher Nolan 's special genius lies in building his comic book films around a theme and making them stronger for that.
This time, it's about the fine balance in our lives between control and chaos. Read Empire's The Dark Knight review.
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But it gets more brutal in a dark final act where the cast is dramatically thinned out. Read Empire's Lethal Weapon 2 review. Buy it here. The story around it may occasionally be a little shaky, but there's no denying that David Leitch and his 87Eleven team proved that they could do for Charlize Theron what they did for Keanu Reeves.
Theron takes to the rough-and-tumble world like a pro, dealing out elbows and taking her lumps. The stairway clash is a particular highlight.
Read Empire's Atomic Blonde review. Lee plays a Shaolin martial artist working undercover for British Intelligence to bring down the villainous Shih Kien.
Read Empire's Enter The Dragon review. Not many Western animated movies would make this list, but we're adding two! First up, Brad Bird's format-breaking first movie for Pixar more than qualifies.
Though it's more about the family drama, when the supers do their hero thing, it's dazzling and satisfying, especially when young Dash realises he can run fast enough to travel across water.
Read the Empire review. But Kill Bill Vol. The plot is almost perfunctory: Uma Thurman 's "The Bride" is almost murdered on her wedding day, but recovers to seek revenge on the perpetrators, including ultimate goal Bill.
Read Empire's Kill Bill Vol. His dream worlds are piled layer on layer, allowing for some head-scratchingly intricate plotting.
Read Empire's Inception review. The visuals will make your jaw drop, the set pieces are great and there's true heart and humour backing it all up.
But before all of that, she proved herself an ass-kicker, thanks to this surprising turn from Joe Wright. Surprising mostly because he'd also been more known for manners over machine guns.
They both do sterling work on this, blending character work with swift fight scenes. Read Empire's Hanna review. A high-concept masterpiece, this controversial effort several attempts were made to ban both film and its source novel in Japan from Kinji Fukasaku continues to provoke discussion with its devastating premise: a class of teenagers are taken to an island, fitted with explosive collars and told to kill one another until only one remains.
It's gory - but this is not violence for its own sake. Fukasaku's got something powerful to say about intergenerational distrust, modern society, our attitudes to violence and one another and modern Japan as a whole.
Read Empire's Battle Royale review. Mifune returned as the same character in the follow-up Sanjuro. Read Empire's Yojimbo review.
Mixing action thriller with disaster movie tropes in the way Die Hard had done previously, Speed can basically be described in terms of its setpieces: the lift, the bus and the train.
The middle section is the principal one, of course: Keanu Reeves is on a bus with a bomb on it, which will explode and kill all its passengers if its speed drops below 50mph.
Dennis Hopper is the aggrieved bad guy on the phone giving instructions, and Sandra Bullock is, reluctantly but pluckily, at the wheel.
Near misses! Romance, even! Most impressive is the way that, despite seemingly limited options for drama in its enclosed space, the bus section never outstays its welcome.
Only the final train sequence feels slightly tacked on. Read Empire's Speed review. Technophobe man confronts goons.
Technophobe man is beaten nearly to death. Technophobe man is outfitted with bleeding-edge technology in the form of a super-smart chip in his neck.
Technophobe man creates lots of bleeding edges for goons and others. Leigh Whannell's throwback pulp actioner is unafraid to fully embrace its pulp, low-budget roots, getting the most bang, crash and wallop for its buck.
Read Empire's Upgrade review. The modern trend for making sequels "darker" surely dates back to this blood-soaked effort, with its human sacrifice, child enslavement and Indy himself being possessed by the Dark Side.
While the bookends of the original trilogy are funnier, this one stays with you longer, albeit in nightmares. The original Mad Max had its share of awesome vehicular chase sequences, but nothing that quite prepared audiences for what was to follow.
The plot is simple: Mel Gibson 's Max gets roped into helping a besieged community escape the marauders outside.
Read Empire's Mad Max 2 review. Director S. Craig Zahler is quickly developing a reputation for brutal, knowing action whether it be in his gory Western Bone Tomahawk or this, in which Vince Vaughn dishes out more injuries than a forced viewing of Couples Retreat.
And how. The story — cop and gangster swap faces and lives during a protracted game of cat-and-mouse — is high-concept bordering on nonsensical.
But what makes it work are Nicolas Cage and John Travolta , playing not only their own characters but essentially each other. Cage, after some madness at the start, has to reign it in a bit to play Travolta.
It was probably for the best. Before he was helping to deliver blows to the First Order, John Boyega was battling intergalactic wrong 'uns in Joe Cornish's knowing, hectic blend of Amblin and Aliens.
The action is fun and driven by both comedy and drama, and there is a real feeling of danger in the scenes where Boyega and his youthful gangsters take on the alien scum.
We'll allow it. Read Empire's Attack The Block review. Always one to dabble in different genres, Steven Soderbergh took a crack at action with this hard-nosed crafty tale of a black ops bad-ass Gina Carano, breaking noses even as she breaks big who is betrayed and goes on the run.
Soderbergh builds a fantastic cast around his leading lady, and whips up some hefty beats and beatings. Read Empire's Haywire review. The idea of pitching or thereabouts superheroes against each other was a dizzying notion, but the brothers Russo pulled it off with aplomb, introducing a unanimously crowd-pleasing baby Spidey in the process.
Worried about superhero fatigue? British grit from , with a rambunctious crew of hard men competing to drive dangerous loads along dangerous roads in as fast a time possible.
It all takes place in believably downbeat locations, and the chase sequences - the final one in particular - are thrilling, thanks to the direction of blacklisted Hollywood exile Cy Endfield.
Read Empire's Hell Drivers review. The title refers to the Buddhisst statue which, in a shocking act of vandalism, has its head sawn off by the minions of an evil businessman.
The dedicated fight team were all prepared to take a pummelling for real. Read Empire's Ong-Bak review. Between this and Shaolin Soccer , Stephen Chow cemented himself as a potential successor to Jackie Chan, blending loose-limbed fight scenes with firm comic timing.
Hustle finds him as Sing, a wannabe gangster who gets into hot water with the Axe Gang. And then there are the tenants of a local tenement who possess incredible martial arts skills.
After the sentencing, Rippman-Tripp was arrested again — this time in front of a county jury. Caltex apologises for abrasive material release, but says it is unlikely to impact consumer demand or the production of more cards.
The average value of a card has gone up by just under 25 per cent over the past 12 months, as more of them have been manufactured.
And card price growth over the past few years has slowed from around 11 per cent a year earlier, according to Cardmarket, to just under 6 per cent.
While there has been progress in card sales over the last few years, demand has been slower. It now makes up just over 15 per cent of all transactions.
New games have also come under pressure to include the feature. With the introduction of cards that feature in such games, it has added more value to a system that previously needed to be built.
You certainly have good well written articles. Many thanks for revealing your blog site. Riot police on Wednesday set fire to two Bpd trucks near an intersection in the south-western city of Luzon while another truck was vandalized in Camarines Sur.
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